Posted by: xSicKxBot - 07-04-2019, 01:09 AM - Forum: Lounge
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Spider-Man: Far From Home: Does The MCU Have A Multiverse Or Not?
The Spider-Man: Far From Home promotional campaign teased one major post-Endgame revelation: the fact that the MCU may be part of a "multiverse" in which the Earth we've watched this past decade was actually only Earth-616, one of thousands of Earths all occurring in the same place at the same time in different dimensions. However, this information came to us care of Mysterio--a villain in the comics--making it a little harder to trust or take at face value. After all, who was to say Mysterio wasn't doing what villains do best and lying?
Well, now that Far From Home is actually in theaters, we thankfully have an answer--and it's unsurprisingly a little complicated. So, does the MCU have a multiverse?
This is your final spoiler warning.
The short answer is: no. Mysterio was actually totally full of it and really was the bad guy all along. He lied about being from a different Earth, he lied about the Elementals--he lied about it all, just to get himself in the public eye as a hero. The basis for his plan was, partly, the absurdity of the concept--proof, in his eyes, that "people will believe anything these days." And who could blame them, after the Snap and Sokovia and the Battle of New York? Reality in the MCU has never been more precarious or up for debate.
But the long answer is a bit less cut and dry. Director Jon Watts told GameSpot he's open to the possibility somewhere down the road. "What's exciting about making movies at Marvel is that you feel like anything is on the table. So who knows?" He laughed, "Mysterio may be bullshitting about it in this movie, but I don't know that that means that it's not true in the larger universe."
After all, we can tell from the scene between Peter, Mysterio, and Nick Fury where the concept of a multiverse is first introduced that it definitely is something floating around the scientific zeitgeist in the MCU. Peter knows immediately what Fury and Mysterio are talking about, where it fits into the conversation, and what it could potentially mean in the realm of quantum physics. It's clearly not a totally unheard of idea. And, with both time travel and splintered timelines definitively in the mix after Endgame, actually going for a multiverse may be the quickest and easiest way to buff out some of the larger blemishes in the MCU at this point.
But the introduction of the multiverse would come with complications, especially now. Bringing up a multiverse only to have it disproven creates an interesting conundrum in which the general population of the world will have to first be convinced that they were lied to, and then later be convinced that no, wait, actually it was the truth all along--or, at least, part of it was the truth. Not exactly the cleanest or easiest narrative to sell, especially when distrust and confusion are at an all-time high.
It will be interesting to see just how this particular debacle pans out, especially given the mystery surrounding Phase 4--does the MCU have the bandwidth to incorporate an actual multiverse somewhere down the line? Or should it remain a giant scam perpetrated by a fraud making a selfish grab at superheroic fame? One thing is certain: No matter how it shakes out, we can't wait to see where things go.
Shovel Knight Digs Up His Own Competitive Board Game On Kickstarter
Shovel Knight started out life as a Kickstarter project, so it’s rather fitting his very own board game will be funded the same way. Yes, that’s right; Shovel Knight is being transformed into a competitive side-scrolling miniatures board game for one to four players. The name of this game is Shovel Knight: Dungeon Duels.
Players take on the role of different coloured knights to “shovel out justice in spades” against the evil Order of No Quarter, while trying to hoard as much treasure as possible.
“The core aspect of the game is all about trying to gather the most gold, whether it’s from defeating enemies, digging up treasure mounds, damaging bosses, or even taking them from a rival Shovel Knight. We also have our own unique elements, like side scrolling tiles, jumping over spiked pits, equipping unique armor and accessories, and fighting against the dastardly Order of No Quarter!”
The Yacht Club-based board game is being designed by Panda Cult Games and at the time of writing has raised just over US$20,000, and requires a total amount of $80,000 – with 25 days to go. If you pledge $70 or more, you’ll get a copy of Dungeon Duels, one Shield Knight model and a hero card.
If you would like to find out how exactly to play the game, you can download a PDF version of the rule book or view the hour-long video demonstration below:
For more information, be sure to check out the Kickstarter page and the Panda Cult Games website.
Is this the Shovel Knight game you’ve been seeking? Tell us down in the comments.
Why Evangelion Fans Are Mad At Netflix--And Why They Should Take A Step Back
It should be a time of celebration for anime fans: Neon Genesis Evangelion, Hideaki Anno's seminal anime series, is finally streaming worldwide, as Netflix secured the rights to the classic anime. But the fans who should be cheering are not happy.
Evangelion originally aired in Japan in 1995, and it quickly earned a reputation as a controversial, psychologically and philosophically complex series that deconstructed the mecha anime genre. Unfortunately, the series has rarely been widely available, as its English-language licensee, ADV Films, went out of business in the 2000s. The only way you could legally get the series in physical format was by spending over $30 on the VHS release that only had two episodes per tape, or by spending over $100 on the DVD collection in 2005--and aftermarket prices for those versions have skyrocketed since then.
But many of Eva's most dedicated fans quickly voiced their concerns with the version of the show that was released on Netflix. Fans flocked to Twitter and Reddit to describe the changes made to the show. It all started with Netflix removing the covers of the song "Fly Me to the Moon" at the end of each episode, a change which The Wrap says is due to licensing fees. But that was just the beginning. We listed the biggest changes to Evangelion on Netflix, which includes the lack of translation of some on-screen text, a completely new and more literal script that takes away from the nuance of the original text, a new voice cast, the omission of swearing in the new translation, and the omission of a key piece of gay subtext.
This resulted in many people recommending newcomers to skip the Netflix version altogether and instead seek out the long-available bootlegs in order to watch the show as they experienced it back in the day. This raises some interesting questions: Sure, some of the changes are significant, but is preserving the nostalgia for the original anime really more important than it being easily available for everyone? Are fans overreacting?
I spent most of the weekend Eva hit Netflix debating whether my first experience with the classic anime should be with the apparently inferior version on Netflix, or the various lower quality but higher integrity bootlegs. The question instantly brought to mind memories of another big sci-fi franchise that was only available in low-quality VHS tapes before going through several controversial changes once it was made widely available for the second time. That's right, I'm talking about the Star Wars original trilogy Special Editions.
The mere mention of the phrase "Special Editions" is one of the scariest and most controversial things in all of Star Wars. You can ask any fan of the franchise and they'll all have an opinion of the 1997 theatrical re-release of the original trilogy. Sent to theaters with great fanfare, the remastered and altered versions of the original trilogy are nowadays remembered with a predominantly negative connotation. George Lucas decided to update his iconic trilogy of films with updated effects, sounds, and scenes, few of which landed with hardcore fans. There's a reason those t-shirts with the phrase "Han Shot First" are sold everywhere.
Like Evangelion, the changes to the Star Wars trilogy ranged from big ones like Greedo shooting first, the addition of "Jedi Rocks," and the loss of "Yub Nub," to kind of random changes like adding a ring of fire to the Death Star explosion and adding a bunch of new aliens on Mos Eisley. People hate the Special Editions so much that fans have taken it upon themselves to reproduce the original appearance of the movies with fan restorations.
Sure, many of those changes were unnecessary beyond George Lucas wanting to show off his new special effects technology that wasn't available in the '70s, but look at the state of Star Wars fandom before the Special Editions. They're one major reason why Star Wars is still around.
Before the Special Editions were released in early 1997, Star Wars was no longer a pop culture giant. Those who grew up watching the original trilogy had already moved on to new and shinier franchises like Terminator. Though there was Mel Brook's Spaceballs, Timothy Zahn's Thrawn trilogy, and the Dark Horse comics, the beloved galaxy far, far away hadn't been relevant since 1983's release of Return of the Jedi. Those who didn't get to watch the trilogy in theaters had it worse, as they could only watch the films in cropped pan-and-scan VHS copies.
Then came the Special Editions. Say what you will about the changes made and how much you hated watching CGI Jabba meet Han in Episode IV, but the Special Editions put the original trilogy back in the public spotlight. The Special Editions also came out at a changing time for the moviegoing experience, as theater chains were expanding and the multiplex started to become the norm, with stadium seating preparing audiences to experience Star Wars in a new way years before DVDs became a thing. You may hate the changes, but those who hadn't seen the movies before didn't even notice them, and the re-release turned an entire new generation into fans. Star Wars was nowhere, and suddenly it was everywhere again.
With Evangelion now available worldwide on arguably the most popular streaming platform, it will only help turn more people into fans. Maybe they'll finish the series and then seek out the original dub and listen to "Fly Me to the Moon" on repeat, or maybe they won't--but that doesn't take away from the fact that the Netflix release is doing more right than wrong.
Preserving art is an important task. I'm not saying you should feel happy that they changed the lines you spent years memorizing. All I'm saying is that glorifying the version of a piece of pop culture you saw when you were younger, and getting in the way of a new generation experiencing that same piece of pop culture now, is not a battle worth fighting.
The changes made to Eva won't stop brand new fans from enjoying the show, just like the Special Editions didn't destroy Star Wars, but instead set the table for a world of prequels, sequels, and spin-offs. Netflix didn't ruin Neon Genesis Evangelion, but it introduced millions of viewers to the magic of Cruel Angel's Thesis and "Get in the Robot, Shinji."
Starting this Friday, players will encounter more spike spirits than usual. These include good and bad characters such as Dry Bowser, Zinger from the Donkey Kong series, the Able Sisters from Animal Crossing and Super Sonic.
Spirits with sharp spikes or thorns are making their way to the Spirit Board! Defeat them in battle to earn extra snacks. #SmashBrosUltimate
This event will last until the end of the weekend and during this period you’ll be able to earn more snacks than usual.
Will you be participating in this next Smash Bros. Ultimate event? Are you still playing this game on a regular basis? Tell us down in the comments.
Chinese Video Game Giant Tencent Forms New “Nintendo Cooperation Department”
In April, Tencent was given the approval by the Department of Culture and Tourism of Guangdong Province to start selling the New Super Mario Bros. U Deluxe Switch bundle in mainland China. The news saw Nintendo’s shares surge by more than 13%, which was the highest they’ve been since October 2018.
The latest update is courtesy of the Chinese tech specialist website, TechNode. On 1st July, Tencent posted two Shenzhen-based positions on its website. It’s looking to recruit personnel for a new “Nintendo cooperation department” and the two positions cover business analyst (responsible for analytics and insights) and web front-end developer.
As TechNode explains, the company previously posted positions for platform community operations professionals in June – which suggests it is speeding up preparation for the launch of the Switch in the mainland.
Tencent also made headlines not long ago, when news surfaced about it reportedly giving up on Arena of Valor here in the west, just months after the release of the game on the Switch eShop. You can read more about this in our previous article.
Build and expand your repair service empire in this incredibly detailed and highly realistic simulation game, where attention to car detail is astonishing. Find classic, unique cars in the new Barn Find module and Junkyard module. Car Mechanic Simulator also includes car auctions where old cars are available for your collection.
Location: Cambridge, Massachusetts or Chicago, Illinois
Disbelief is a game development studio focusing on contracting and consulting services. We’ve worked with both AAA and independent studios to help their projects ship. Notable projects we’ve worked on include Gears of War 4, Borderlands: The Handsome Collection, and Perception.
At Disbelief we value work-life balance, and want to create an alternative to the crunch-culture prevalent in game development. We also believe strongly in investing in our talent and our team. Disbelief is a place to puzzle out the solutions to cutting-edge problems in graphics and engine programming, but also a place where people can grow their careers and skill sets as valued members of a stable and close knit team.
Currently, we’re looking for a senior programmer. This opportunity is for a full-time position in Cambridge, MA or Chicago, IL. Senior programmers at Disbelief are leaders and developers in their project. You should be comfortable working independently and with a team to develop, test and integrate software into a larger codebase. A key responsibility is mentoring and guiding fellow programmers to improve.
We believe a diverse team is a stronger team, and we encourage marginalized programmers to apply.
Key Responsibilities
Clearly communicate your work to others
Mentor fellow programmers in and out of your team
Communicate with clients on team progress and problems as they arise
Debug code with precision
Estimate your and others work
Assess impact of issues on schedule
Diagnose and solve performance issues
Document your code
Study version histories and code documentation to solve present problems
Implement features in innovative ways
Skills and Requirements
BA/BS or MS Degree in Computer Science, or equivalent experience
Excellent communication skills, both verbal and written
3-5 years of experience in writing software in C++
5+ years in game development, or 10+ in a related industry
Experience working on a large code base
Experience with version control with P4, git, or equivalent
Experience with multi-threaded systems
Remote: No, but we do enjoy working from home up to two days a week, when project constraints allow.
Visa Sponsorship: No
Technologies:
Most of our work is C++ of varying standards with a sprinkling of other languages as needed for tooling. We do a lot of graphics programming work, using shader languages and platform graphics APIs. Since we often are debugging the lower levels of systems, being able to read x64 or ARM assembly is useful. Primarily we work with Unreal Engine 4, but we also work with Unity and custom game engines. Our work uses rendering, physics, audio, VR, AR, and other APIs frequently. Our primary platforms are PC, Xbox One, PS4, Switch, and VR/AR devices.
Whether you’re just starting out, looking for something new, or just seeing what’s out there, the Gamasutra Job Board is the place where game developers move ahead in their careers.
Gamasutra’s Job Board is the most diverse, most active, and most established board of its kind in the video game industry, serving companies of all sizes, from indie to triple-A.
Miyamoto: Costs and dwindling appeal make new adventure games a hard sell
“Regarding adventure games, I have also helped develop many of them beginning with Shin Onigashima, but it’s very hard to make one in the current environment.”
-Shiigeru Miyamoto weighs in on the current landscape for adventure games.
The official English translation of Nintendo’s most recent investor Q&A isn’t up quite yet, but Siliconera has translated some interesting parts of that session, including comments from longtime Nintendo developer and current creative fellow Shigeru Miyamoto on why Ninitendo isn’t exactly racing to launch adventure game after adventure game.
Specifically, Miiyamoto calls out the fact that modern games are localized in over 10 languages, and handling this for both voice and text in text-heavy adventure games can lead to massive costs. He notes that declining interest for the genre from younger players is also a factor, but he recognizes the promise of the genre.
“However, designing adventure game mechanics is fun, and are used well in Capcom’s Ace Attorney and Level-5’s Professor Layton series, so while we can still have hope for the genre, please understand that actively making one is hard in the current mainstream.”
His comments follow a question from an investor on the topic of adventure games, something asked out of that investor’s own positive experience with the genre years and years prior, specifically Famicom Detective Club 30 years back.
“Thank you for this question that can also be taken as encouragement. We also want to make games that we won’t be embarrassed about 10 years later,” Miyamoto offered in response. “We’re told sometimes that we only keep making sequels, but we have many brands that have continued for 30 years. We also keep working hard on releasing games in new series.”
Welcome to Etherborn, a Game Where the Entire World is at Your Feet
Hello, Xbox Wire fans! My name is Samuel, and I’m one of the members of Altered Matter – a small studio that’s located in sunny Barcelona, Spain. I want to tell you a little bit about our game Etherborn, a project that we’ve worked on for the last four years of our lives.
Etherborn is an exploration-platformer in which you explore a gravity-shifting world. Here, gravity works in a totally different way to what we are used to. It’s not static – it moves with you, changing the environment around you. Imagine yourself standing next to a wall. You take a few steps forward and suddenly that wall becomes the floor, and the whole world around you has changed position entirely. Because of this ever-shifting gravity, you will find yourself walking across a bridge while glued to its side, circling around the side of a column, and running under a waterfall whose stream is going up towards the sky.
The environmental puzzles that we prepared are a backdrop to a story that we want to tell. In Etherborn, you are a voiceless being that has just been born into a world where a bodiless voice is waiting for you. You don’t know who or what this voice is, but you feel that the two of you are meant to meet. And as you take your first steps, the journey begins and the world around you starts to flip. You will come across bridges suspended in air, ever-changing structures in the clouds, and lands filled with mysteries.
Etherborn is coming to Xbox One on July 18. Seeing our game so close to release sends slight shivers of excitement down our spines. We’ve been playing games our entire lives, and now with Etherborn, we’ve tried our best to create something unique and new.
We hope that this post gave you a decent glimpse into the world of Etherborn. We will be sharing more news as we get closer to release, so if you want to see more, follow us on Twitter, Facebook, and Instagram.
