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  News - Blog: The running joke behind my un-streamlined controls
Posted by: xSicKxBot - 10-06-2017, 09:59 PM - Forum: Lounge - No Replies

Blog: The running joke behind my un-streamlined controls

The following blog post, unless otherwise noted, was written by a member of Gamasutra’s community.
The thoughts and opinions expressed are those of the writer and not Gamasutra or its parent company.




Press “O” to open: the running joke behind my un-streamlined controls


This weekend I traveled to Clujotronic — an arts and entertainment event — in Cluj, Romania, where I demoed my new game: Ebony Spire: Heresy. The audience of the event had very little in common with my target audience for the game but I learned a whole lot of from the people who tried the demo. Let’s take a look what people who never tried a old school RPG with un-conventional button mappings had to say.

Showing the game to a fellow designer who did not understand how to open doors.

The audience at Clujotronic was mostly young people in their 20’s. Most of them electronic fans with a taste for artsy stuff. A few of them were actual gamers of the mainstream kind (think AAA games). Most games featured at the venue (like Black the Fall, Second Hand: Frankie’s Revenge, Raiders of the Lost Island) were Indie games and it was great seeing people interacting with them for the first time. They all featured controller support and most players had little problems figuring out what to do. In my case there was only a screen and a keyboard and, for a few hours after setting up my “booth”, a mouse.

Arrow keys and Mouse are the first thing players look for in a game they know nothing about.


My target audience are technical, slightly older gamers who enjoyed dungeon crawling classics like Eye of the Beholder or Dungeon Master or fans of the roguelike genre that are looking for a more graphical game in the vein of the previously mentioned titles. The game relies heavily on the keyboard and breaks the conventional streamlined controls. I promised myself I won’t intervene and describe the game’s control to players until they all but gave up on trying. A good way to get data and see how much time they are willing to sacrifice before giving up.

What I noticed is that in the absence of a controller, when faced with a unfamiliar games, the first thing people gravitate towards is the mouse and arrow keys. If the game does not respond to those two types of inputs well… let’s just say that 70% of the people who tried the game gave up, assumed it froze/crashed and just left it at that. The remaining 30% are split between randomly pressing keys until something happens, checking out the monitor to see if it’s touch enabled (it wasn’t) or, those more interested in experiencing it, asking people around them for information. Touch screen-ers were more common than those willing to ask for information

First batch of players pre-key update

So after a few hours of me staring at people’s fingers gravitating towards the arrow keys I was faced with two decisions:

  • The easy way out: Print the controls on paper and stick it to the side of the screen
  • The slightly less harder way: Add support for the Arrow Keys and the Enter button.

I wanted as much data as I could get from the players and I didn’t feel like cheating and sticking a piece of paper in their face so I added support for the aformentioned keys in the Menu’s and the retention rate grew. I also hid the mouse from view.

 

Now that the “standard” way of navigating through the in-game menus was solved I almost had a full 100% retention rate until gameplay started (A few gave up once they entered the help menu and saw a wall of text). The first big hitch was met when the game started and arrow keys were once again useless. Here things took a weird turn.

Most players (a bit over 50%) went straight for W,A,S and D controls once the arrow keys were deemed useless. Twelve people asked if the mouse is missing. Around 25% of them moved on without wanting to hear any explanation about the controls. Slightly less than that asked for help immediately after the arrow keys failed to do anything.

The “O”gh moment when it all clicked


Once they figured out you can move around with WASD and turn the camera with Q+E they started exploring the first level. After experiencing the grid-based movement a few of them asked if the game was turn based. Spotting the first NPC made them want to grab a mouse out of instinct to shoot. This was a big amount of players (sadly I did not record this data). Others moved next to him and asked how to engage and attack. But the controls did not click with them until two more buttons were revealed: “I” to access the Inventory and “T” to throw items at the enemies. Quite a few of them questioned the decision to interact with the environment (here doors) by using the “O” key. They expected to press E or F. But as soon as they found their first items on the floor, and thinking about the previous keybindings it all clicked. More than once I heard: “How do I pick up an item.. Wait? Is IT P? Oh it is P! I GET IT NOW”. And then, suddenly, O to open doors, I to open the inventory, T to throw, P to pickup, L to access the log suddenly made sense for them. And after playing the game and noticing other people trying to figure it out they chimed in and helped excitedly. It even became a running gag around the venue. When people would ask if the bathroom is occupied some would answer: “Press O to open and see for yourself” or the now classic at the bar: “Should I press B for beer?”.




Let’s look at the facts for a minute


People figuring out the controls and being excited for the discovery was a great thing to witness however there’s a problem here hiding in plain sight: out of all progress data I recorded while the game was demoed the following things stand out:

  • Less than 3% of the total players reached the final (3rd) level of the demo
  • Only 15% explored the first level and its two portals
  • A whooping 40% of all people that tried the game gave up at the main menu

I cannot stress the last part enough: Because the default input method WAS NOT the norm almost half of the people who tried the game never even got to the game part. Imagine this data wasn’t picked up during the demo and I would have only found out about it after doing the steam release. A 40% refund rate would have killed me, my game and my business. Now I can argue that the drop rate would have been lower because of my target audience and their experience, because people that invest money in the game would stick around more and learn how to play it but it would still have dented my income and review scores.

The amount of polish before I launch next month is huge. I need to get a tutorial system in the game. Or a better way to present the controls. I am sticking to them but I learned that learning them through pure discovery, even if rewarding, can potentially put people off. People who are to be my customers and supporters.

I also learned that players who expect a mouse and do not find it will touch, press and even shake a regular monitor. Even when there is someone nearby to explain the game to them.

 

Ebony Spire: Heresy was demoed at Clujotronic. It’s a first person, dungeon crawling, turn based rpg inspired by roguelikes. The main mechanic revolves around picking up items and using them against your enemies. And the enemies can do the same things you can do. And you need to press “O” to open doors. It will release on steam in November. You can pick-up and play the Clujotronic 3 level demo for Linux and Windows from itch.io. And even buy the game at half-the-release price if you want to throw mean words about the controls at me. 


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  News - DeepMind wants to answer the big ethical questions posed by AI
Posted by: xSicKxBot - 10-06-2017, 09:59 PM - Forum: Lounge - No Replies

DeepMind wants to answer the big ethical questions posed by AI

Google’s DeepMind artificial intelligence (AI) division has established a new research group to learn more about the ethical questions posed by the dawn of AI.

The British artificial intelligence outfit was acquired by Google in 2014, and often uses video games as part of its projects.

For instance, back in 2016 the company partnered with Blizzard to create an API tailored for research environments based in StarCraft II, and prior to that the DeepMind team developed an artificial agent capable of learning how to play Atari 2600 games from scratch. 

Now, the DeepMind Ethics & Society unit hopes to unravel some of the biggest ethical quandaries posed by the creation of artificial intelligence to pave the way for “truly beneficial and responsible AI.” 

“We believe AI can be of extraordinary benefit to the world, but only if held to the highest ethical standards. Technology is not value neutral, and technologists must take responsibility for the ethical and social impact of their work,” reads a blog post on the DeepMind website. 

“The development of AI creates important and complex questions. Its impact on society — and on all our lives — is not something that should be left to chance. Beneficial outcomes and protections against harms must be actively fought for and built-in from the beginning. But in a field as complex as AI, this is easier said than done.

“As scientists developing AI technologies, we have a responsibility to conduct and support open research and investigation into the wider implications of our work. At DeepMind, we start from the premise that all AI applications should remain under meaningful human control, and be used for socially beneficial purposes.”

DeepMind isn’t the only institution asking looking into this area. Other research projects, such as Julia Angwin’s study of racism in criminal justice algorithms, and Kate Crawford and Ryan Calo’s examination of the broader consequences of AI for social systems, have also begun to peel back the curtain. 

For DeepMind, the hope is that its new unit will achieve two primary aims: to help technologists puts ethics into practice when the time comes, and to ensure society is sufficiently prepared for the day AI becomes part of the wider world.

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  Xbox Wire - Xbox One X: What It Takes to Build a Console
Posted by: xSicKxBot - 10-06-2017, 09:59 PM - Forum: Xbox Discussion - No Replies

Xbox One X: What It Takes to Build a Console

Peanut butter and jelly. Shaq and Kobe. Master Chief and Cortana. If there’s anything we’ve learned during our short time on this planet, it’s that collaboration is the driving force of creation (and tasty sandwiches).

We recently heard from Bryan Sparks, Senior Designer, Microsoft Device Design Team, and Leonardo Del Castillo, GM of Xbox Devices Console Development to learn about their creative collaboration process behind the world’s most powerful gaming console: Xbox One X.

To hear them tell it, the story is a fascinating one. In that, the engineering and design teams executed on the development of Xbox One X with a clear and specific goal from the outset — deliver True 4K Gaming in a small form factor design — and endeavored to work together to make that dream possible without compromising on their vision. And the end result is tremendous.

Xbox One X Feature Image

Kickstarting the Process

As you might imagine when one sits down to create the world’s most powerful gaming console, the engineering and design teams would face a lot of questions: How do you make the systems work with each other? How can we make it compact? What’s the expression of Xbox One X? How does it tell a story just by the way it looks?

While these were all great questions the team looked to tackle early on, the most critical that they all agreed to land on was that this was going to be “True 4K Gaming” at its heart, and this is what was going to drive the architecture of the system.

The Scorpio Engine is designed, at its core, to be the most powerful system-on-a-chip for game consoles that has ever been created. Everything about it was designed to be compatible with Xbox One (and Xbox One S). And to make that happen, it was clear that nearly every component that was to be housed in the system was going to have to be custom built. That left the team with a lot of freedom of how it could design the system around things like optical drives, hard drives, and memory components.

Xbox One X Feature Image

“If you start with a bag of parts, how does that turn into a product?” explains Del Castillo. “We needed a direction, and floor planning directions, to lead the architecture around what the motherboard will look like, what will the chassis look like. And for that you lean on the design team.”

The Design of a System

“Whenever you start a new design project, it’s this blank canvas and you start feeding ideas and constraints,” explains Sparks. “Eventually, you see this thing start to form as you work through the process.”

When creating the design of the system, the team knew all those parts had to come together in one cohesive unit. They knew it was going to be part of the growing Xbox One family of devices, and wanted to take all the feedback received on the design of Xbox One S that the community loved.

Xbox One X Feature Image

“The other part of our vision is what would embody this product,” Sparks continued. “We envisioned this monolith (“2001: A Space Odyssey”). Whenever you see it in the film, it was a signal to the audience that it was the next phase of advancement. So, we kept that as a design goal: Xbox One X is the next point of advancement.”

“We did not want Xbox One X to be any larger than Xbox One S, which was a huge ask as we were putting 40% more power into it. And this is where we knew we had to work with Leo and the engineers to make that happen.”

Fitting into Place

As the engineering team continued to look at the overall intent of the design, for which there was a lot of collaboration between the two teams, they begun to lay out the components like the motherboard, and determined how memory would route to the system and be arranged. The iteration continued to the point where they found it would make the most sense to have the motherboard fit on the “ceiling” of the console, and placing the optical drive and hard drive on top of one other to create the optimum stacking height of the system.

Xbox One X Feature Image

The other benefit of having the motherboard on the ceiling is that there would not need to be any venting on the top space of the console, keeping the clean, monolithic form the design team was looking to achieve.

The other intent was to ensure the power supply would live internally, just like Xbox One S — it’s not much larger, but it is nearly 40% more powerful. To continue with the efficient design (getting these parts into a small form factor) they placed the power right behind the optical drive. In turn, this allowed them to keep all the ports on the back of the system in nearly same place as Xbox One S so that when you’re upgrading to Xbox One X, set up would be as simple, yet familiar, as possible.

Keeping Cool

With so many components, and with a system nearly twice as powerful as Xbox One S, there’s sure to be a lot of heat moving through the chassis that needs to be exhausted. This was initially tackled where a heat sink would work as a base with a radiator, and then with a stacked fan on top of it. The problem with that approach is it created a lot of added height to the system.

Xbox One X Feature Image

“When you’re trying to scale that amount of power into the Scorpio engine, it wasn’t going to be a feasible approach to achieve the size we wanted to do,” says Leo. “We got innovative and looked at other tech we could use and created a vapor chamber heat sink, like what you’d find in high-end PCs and graphic cards, and we believe this is the first time it’s being used in a consumer electronic.”

The vaper chamber heat sink is fascinating. It’s hollow, filled with water, and there’s a vacuum that draws upon that water to help move the heat to the radiator fins and thus into the air. Leo’s team looked like they solved how to keep temperatures lower than normal, but there still needs way for that air to move through and out of the system.

The result is a custom centrifugal fan assembly with ducts and propellers that are custom built just for Xbox One X. This helps move air out of the system and keep all the components cool, including the power supply. In fact, the team built the fan assembly in a virtual space and ran empirical models to continue refining the design, helping to pinpoint any “hot spots” in the console’s components before laying down the silicone needed to create the fan housing.

Xbox One X Feature Image

The team had found a solution to move air out of the system — but how would the design bring air in to Xbox One X?

“This is where concurrent engineering comes into play,” explains Sparks. “We’re working back and forth between the functional realities of the engineering process and the design intent. And this is where we get to play off each other.”

Part of this play was figuring out which components were prioritized to get access to the air flow first, and that came back to the Xbox One S design, with its short-side venting detail to allow air into the console box. But the design team wanted to figure out how to upgrade that expression from the bold hole pattern from Xbox One S.

Xbox One X Feature Image

“Where we landed was grabbing the vent pattern from Xbox One S and miniaturizing it as much as we could to where it was just barely manufacturable. Which was no easy ask. It was another thing we had to innovate,” says Sparks.

And to do just that, the engineering team realized they would have to create a new tool to answer the growing number of asks from the design team: 5-sided unibody with a top-housing, zero draft, thousands of tiny pins to make the perforation pattern, and super thin walls.

“But we were able to do it! Probably making the most innovative and complex injection molding tool we have ever made,” proclaims Sparks. “We did all of this to give the outside appearance of this console the same level of precision of the work we’ve been putting into the inside.”

Putting it All Together

The guts for Xbox One X are all placed on the table, making it hard to imagine how these will snap into the small form factor of Xbox One X. Leo picks up each piece one at a time and easily starts to put it all together, like some sort of awesome jigsaw puzzle, continuing to talk through and explain the logic behind the layout of the components in such a snug form-fitting design. Even when placing the hard drive into the system, Leo takes the time to explain how such a basic component has also received some special attention.

Xbox One X Feature Image

“As for the hard drive, the mechanical components are pretty much standard,” explains Leo. “We do work with our manufactures to optimize firmware performance specifically for our product. To preserve that performance, we have to take a great deal of care when it’s mounted.”

To solve for this the team created a custom mount for the drive to dampen the vibrations that would be carried through the chassis, as too much vibration would compromise the performance of the drive itself. Especially since the optical drive and hard drive will be living on top of each other inside the system.

Leo then grabs the fan assembly and fits it snug over the vaper chamber heat sink, the power supply drops in above the motherboard, and the ducts from the assembly all naturally snap right into place.

Xbox One X Feature Image

“Every single component and where it’s placed is critical,” explains Leo. “Start moving holes around or components, even a millimeter, it can cause interference to other products. So, it’s necessary for the engineers to be working on the design concurrently. There’s no staging like, ‘First we design a motherboard, then we’ll design a chassis around the motherboard…’ If we did that we’d wind up with a sub-optimal product.”

The Finishing Touch

“For Xbox One S we developed a brand-new color called Robot White and that did a great job of embodying what Xbox One S was, which was a bold, approachable console,” explains Sparks. “For Xbox One X, we had a different goal in mind. We wanted a color that would embody the power that was encased inside this console.”

Interestingly, after all the combinations of color to design, Sparks and his team landed back on black, specifically Infinite Black, finding that a deep, rich, neutral black was a color that worked well with the simple design of Xbox One X.

Xbox One X Console Feature Key Art

However, since the design of Xbox One X is between two separate housings, and not wanting to lose the slight shift or overhang, Sparks and his team felt the housing design could get lost being all the same color.

“What we did was, create a fine top housing texture that almost looks like it’s painted, and on the bottom housing we pushed on a heavy texture, so the final part looks really, really, matte,” says Sparks.

The effect is very noticeable as you look at the console in different shades of light and how it seems to move elegantly around the system, refracting differently to help draw attention to the top and bottom housings of the system. There’s also a bit of an inspiration from the Xbox Elite Wireless Controller as well, bringing some of the textured grip from those controllers to the base of the unit.

Xbox One X Feature Image

And if there was a one more thing moment to be had, it was showcasing Xbox One X in its vertical form, harkening back to that original design intent goal of a monolith, calling to this as the next moment in the story of Xbox.

“All these details, and this work, and all this refinement lead us down the track of creating, in my opinion, the best console we have ever made,” says Sparks. “We didn’t build this for us; we built this for the gamer. The gamer wins in this scenario. They get the best console we could possibly create.”

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  News - The Flame in the Flood Begins Its Journey on Switch Next Week
Posted by: xSicKxBot - 10-06-2017, 09:59 PM - Forum: Nintendo Discussion - No Replies

The Flame in the Flood Begins Its Journey on Switch Next Week

Just recently Curve Digital confirmed two games that it’s bringing to the Switch eShop, including The Flame in the Flood (developed by The Molasses Flood). Pleasingly a press release has now confirmed that it’ll arrive next week (12th October), so we’ll get a chance to put it to the test.

You can see the Switch trailer and some blurb below.


The Flame In The Flood is a bleak but beautiful rogue-lite set upon a treacherous, procedurally generated river. With the help of your trusty dog, Aesop, The Flame In The Flood tasks you to make the most of your surroundings by foraging, hunting and scavenging your way through nature and the remains of society. With an evocative, homespun art-style and lilting, original soundtrack by Chuck Ragan, survival has never been this enjoyable.

It seems like quite a challenging game based upon comments from those that have played it elsewhere. Not only do you need to stay safe on the river but also make landfall and find vital resources; nature is rather cruel in the process.

Are you planning to venture into ‘post-societal America’ in this title?

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  News - Neon Chrome Will Bring Twin-Stick Cyberpunk Shooting to the Switch
Posted by: xSicKxBot - 10-06-2017, 09:59 PM - Forum: Nintendo Discussion - No Replies

Neon Chrome Will Bring Twin-Stick Cyberpunk Shooting to the Switch

With the rapid expansion of the Switch eShop we’re gradually seeing more genres and variety. We’ve had a few top-down shooters of various styles, for example, and next week Neon Chrome will add itself to the list.

Developed by 10tons Ltd, it’s a stylised title with procedural generation; a trailer and details are below.



Neon Chrome is a top-down twin stick shooter with a science fiction setting. Each level is procedurally generated, meaning levels throughout the game will be unique on every play session. The game features intense gunfights, destructible environments, and light role playing elements such as permanent statistics upgrades, better weapons, cybernetic enhancements and different character classes.

Features:

  • Shoot through walls, make rooms explode, and obliterate whole floors
  • Explore procedural levels with endless variety
  • Defeat bosses in hand-crafted boss fights
  • Unlock new abilities, enhancements and weapons
  • Install enhancements and upgrade your weapons

It’ll arrive on 12th October with a confirmed price of $14.99USD for North America. Will you be tempted to give this a try?

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  Steam - Now Available on Steam – Raw Data, 25% off!
Posted by: xSicKxBot - 10-06-2017, 09:59 PM - Forum: PC Discussion - No Replies

Now Available on Steam – Raw Data, 25% off!

Raw Data is Now Available on Steam and is 25% off!*

Built from the ground up for VR, Raw Data’s action gameplay, intuitive controls, challenging enemies, and sci-fi atmosphere will completely immerse you within the surreal world of Eden Corp. Go solo or team up and become the adrenaline-charged heroes of your own futuristic technothriller.

*Offer ends October 12 at 10AM Pacific Time

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  XONE - The Coma: Recut
Posted by: xSicKxBot - 10-06-2017, 12:54 PM - Forum: New Game Releases - No Replies

The Coma: Recut



Return to the dark corridors of Sehwa High in this remastered version of the cult Korean horror classic. You are Youngho, a hapless Korean student who finds himself trapped in the nightmarish halls of his high school. After drifting asleep during his final exam he awakes in the school at night. The only problem is? he?s not alone.

Publisher: Digerati

Release Date: Sep 22, 2017

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  3DS - Yo-kai Watch 2: Psychic Specters
Posted by: xSicKxBot - 10-06-2017, 06:23 AM - Forum: New Game Releases - No Replies

Yo-kai Watch 2: Psychic Specters



Get wicked and complete the ultimate YO-KAI WATCH experience.

The strange but friendly troublemakers, Yo-kai, are back in a time-traveling adventure, and this time their mysterious world is packed with exclusive quests, Wicked Yo-kai to befriend, new areas to explore, and a revamped Blasters action co-op mode* featuring new bosses.

As the cause of life's troubles, Yo-kai are hiding everywhere! Explore the seaside town San Fantastico and the sleepy village Harrisville in search of these mischievous beings. Then travel 60 years into the past with Hovernyan to ensure the Yo-kai Watch Model Zero is created and your timeline is preserved! Battle online or via local wireless to earn in-game rewards for your adventure. Or take control of a Yo-kai in Psychic Blasters, a revamped 4-player action mode! If you own the YO-KAI WATCH 2: Bony Spirits or YO-KAI WATCH 2: Fleshy Souls game, you can transfer save data from your Nintendo 3DS family system to YO-KAI WATCH 2: Psychic Specters and pick up where you left off. Prepare yourself for the deepest and most immersive Yo-kai experience yet!

* Embark on an epic adventure in Springdale with more than 350 Yo-kai to discover and befriend
* Assemble and summon your team of 6 Yo-kai from your Yo-kai Watch to battle troublemaking Yo-kai, solve people's problems, and fight to end a civil war between competing Yo-kai factions
* Travel back in time to discover the origin of the Yo-kai Watch and meet Classic Yo-kai from 60 years ago
* For the first time, befriend Yo-kai from the Wicked Tribe as well as Boss Yo-kai and other Yo-kai exclusive to this ultimate version
* Discover exclusive quests, such as the secret pasts of Darknyan, Dame Dedtime, and Whisper
* Hop on the Hexpress train and explore new locations, including a Yo-kai amusement park, hot springs, and kabuki theater
* Team up in an expanded version of the Yo-kai Watch Blasters local co-op mode, with powerful new bosses to defeat
* Challenge your friend's team over the Internet or local wireless in 2-player multiplayer battles
* Transfer game data from YO-KAI WATCH 2: Bony Spirits or YO-KAI WATCH 2: Fleshy Souls to YO-KAI WATCH 2: Psychic Specters and play from where you left off
* Connect with YO-KAI WATCH 2: Bony Spirits or YO-KAI WATCH 2: Fleshy Souls to YO-KAI WATCH 2: Psychic Specters to unlock exclusive dungeons, stronger bosses, and special gleaming Yo-kai

Publisher: Nintendo

Release Date: Sep 29, 2017

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  News - Muse Live at BlizzCon® 2017
Posted by: xSicKxBot - 10-06-2017, 01:39 AM - Forum: Lounge - No Replies

Muse Live at BlizzCon® 2017

[unable to retrieve full-text content]

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  News - Destiny 2 Hotfix – 10/3/2017
Posted by: xSicKxBot - 10-06-2017, 01:39 AM - Forum: Lounge - No Replies

Destiny 2 Hotfix – 10/3/2017


1.0.3.1 The one with more post-launch housekeeping.

Items

  • Fixed an issue in which players could lose access to the Veteran’s Transmat Effect by deleting characters
  • Fixed an issue in which clan engrams would grant Trials of the Nine and raid rewards at only 10 Power
  • Fixed an issue in which the action button on Faction Rallies emblems displayed Discard instead of Store

Quests

  • Fixed an issue in which progress for the Exotic Quest Step “His Highness’s Seal” was not incrementing properly

Raid

  • Fixed an issue in which raid milestones would not show for some players after the weekly reset (This didn’t affect any raid rewards)
  • Fixed an issue in which players could enter a state where they are continuously killed if they finish a raid encounter at the exact moment of failure

Crucible

  • Added invisible physics and kill volumes to keep players inside the intended playable area on the following maps: 
    • Eternity
    • Altar of Flame
    • Emperor’s Respite
    • Legion’s Gulch
    • Javelin-4
    • The Dead Cliffs
  • Added invisible physics to all stairs in The Dead Cliffs to allow grenades to bounce properly
  • Adjusted spawning system values to reduce the frequency of players respawning into dangerous situations on all maps

]]>

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